We have been in Austria yesterday with Bence. We have seen a performance of Peter Brook. Three actors have shown on stage five small texts of Beckett. An amazing woman, and two good actors. Very simple, very short (about 50-55 minutes, which has pased so fast, that I haven't noticed), very accurate.
Almost no set (exept for the lighting, which they have used, and some small objects).
They started with a piece about a blind and a cripple. (Rough for Theatre I.) They both want something from each other, they try different methods to find somekind of relationship, they tease each other, they talk, one helps the other, the cripple even hits the blind. I could feel both of them are acting, and reciting the text in a way, which makes easy to recognize, that these are lines in theatre play, told by an actor.
But afterwards the woman (Kathryn Hunter) came on seen, and told the text of Rockaby. She was sitting in a chair almost all the time, sometimes she rocked, as if she was sitting in a rocking chair. Once she stood up, and did it with chair, as if someone else would sit in it, and rock with it. She was talking in a capturing way. Exact, dry and a littlebit sad sound. And from this point the performance started to wing it's way.
They have made loose game with the texts of Beckett. The last scene was a beatiful fusion of childishness and old age; three woman sitting on a banch, remembering of their young years, leaving and returning to the banch, one by one, and whispering about the one who left to each others ears. The original text (Come and Go) gives the instruction, that the one who leaves, should completly dissapear. In their version, she always walked a few meters away, and than stayed, showing her back, as children do, when they are the seekers and they count in the play hide and seek.
Almost no set (exept for the lighting, which they have used, and some small objects).
They started with a piece about a blind and a cripple. (Rough for Theatre I.) They both want something from each other, they try different methods to find somekind of relationship, they tease each other, they talk, one helps the other, the cripple even hits the blind. I could feel both of them are acting, and reciting the text in a way, which makes easy to recognize, that these are lines in theatre play, told by an actor.
But afterwards the woman (Kathryn Hunter) came on seen, and told the text of Rockaby. She was sitting in a chair almost all the time, sometimes she rocked, as if she was sitting in a rocking chair. Once she stood up, and did it with chair, as if someone else would sit in it, and rock with it. She was talking in a capturing way. Exact, dry and a littlebit sad sound. And from this point the performance started to wing it's way.
They have made loose game with the texts of Beckett. The last scene was a beatiful fusion of childishness and old age; three woman sitting on a banch, remembering of their young years, leaving and returning to the banch, one by one, and whispering about the one who left to each others ears. The original text (Come and Go) gives the instruction, that the one who leaves, should completly dissapear. In their version, she always walked a few meters away, and than stayed, showing her back, as children do, when they are the seekers and they count in the play hide and seek.




